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Zhibin wrote this message on my travel note.
His handwriting shows he is a lefty and the message was written upside
down because he was sitting opposite me.
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Zhibin just tried to say simply gcome alone and play at my place? h
It is literally translated gCould you come or not come to our hometown?h,
and to me this invitation/question hit my heart together with his earlier
question to me gArenft you a reporter?h.
He gave me what I can be and what I can do in his village where I was staying as a resident artist .
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I met Zhibin and his friends when I took a walk with my video camera to
the beach to shoot a small rocky island like tombolo, which is connected
by sand bridge to the beach when it is low tide.
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When I reached the beach the sand bridge was fading
under the waves and soon I found my LCD monitor capturing the boys coming
from the island kicking the waves.
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Strong curiosity hooked them around the stranger
and pushed them to burst questions to him.
No doubt being with video camera Zhibin took me as a reporter,
but his misunderstanding and his invitation/question became an inspiration
source of creation and a key to allow myself take a place in the land.
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Recollecting this encounter today, I do feel it was more than that: I mean
the freedom they embodied at that time.
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Who can enjoy freedom like boys on a beach in a late summer vacation?
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I inhaled luxuriously the smoke of freedom or cigarette together with those bad boys, so I had to reward that
friendship by my actions.
Then I made three artworks out of itcsuch as
Could you come or not come to our hometown? series,
Doublogue,
History of Cheng Huan Mausoleum.
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